藝術報國《2026 熔點計畫》雙舞作｜誠品會員購票優惠

活動期間 2026/07/03 - 2026/07/04

你是否有過這種感覺：
腦中有很多聲音，想捕捉下來，卻只能寫出隻字片語；有些東西一直在你身體裡，但它還沒有名字。兩位編舞家，用身體和語言，試著把那些無以名狀細細過篩。也許你會在她們的創作裡，聽見自己。

場次與售票資訊 演出內容介紹 主要創作者 製作團隊

★ 場次與售票資訊

地點｜臺中國家歌劇院小劇場
演出日期：
2026/7/3 (五) 19:30
2026/7/4 (六) 14:30、19:30

票價資訊：800

即日起至6/1，早鳥購票享 85 折優惠
6/2起，誠品會員購票享 9 折優惠
請於 OPENTIX 售票網購票時，於折扣方案區域選擇誠品會員，並輸入誠品會員卡號驗證。

OPENTIX 售票網購票

★ 演出內容介紹

" 一張票看雙舞作 "

臺中市傑出演藝團隊「藝術報國」於2026年啟動首屆「熔點計畫」，
以實驗精神開啟創作者間的深層對話。

本次演出推出兩部新作：藝術總監陳柏潔的《在命名之前》，透過肢體與影像交織，揭開創作初期自我探索、質疑與推翻的思辨過程；特邀編舞家董怡芬的《對話關係》，採「講演式」表演形式，由陳柏潔以身體為載體，將生命記憶與抽象關係轉譯為具象的劇場拼貼。雙舞作共同激盪出藝術探索的多元視角。

※每場次皆為雙舞作，演出全長約70分鐘，無中場休息

作品介紹

舞序1 - 《在命名之前》

· 創作：陳柏潔

· 演出：陳柏潔、許庭瑋

"創作最迷人之處，往往不在於最終的答案，而是誕生前那段深不見底的寂靜。"

編舞家陳柏潔直面創作初期那份尚未定義的內在空間，將舞台化為思維的實驗場，置身於「未命名」的縫隙中，展開一場持續未完的自我辯論。作品以舞蹈為核心語言，影像與空間穿梭於思緒的裂縫之中，交織出第一人稱的自我對話與旁觀者的凝視。

舞序2 - 《對話關係》

· 創作：董怡芬

· 共同發展、演出：陳柏潔

* 本節目為講演式演出 (Lecture Performance) ，使用華語作為講述語言，前台將備有紙本中英文臺詞，提供有需要的觀眾閱讀。*

"一場關於記憶、時代與重逢的身體敘事"

由特邀編舞家董怡芬與陳柏潔攜手打造，《對話關係》是一部融合身體敘事與「講演式劇場」（Lecture Performance）的實驗新作。作品以口述歷史為引，回訪陳柏潔成長過程中的記憶，凝視個體在環境變遷下的細微感知。這不僅是兩位創作者睽違多年的友誼重構，更是一場將個人生命檔案與時代場景重新拼貼的詩性生成。陳柏潔以身體為載體，將生活碎片與身分轉變的關鍵字，轉譯為具象且充滿張力的劇場風景。在這場穿梭於現實與想像、真實與虛構間的對話中，回憶填補了失聯的時空，遺忘則成為重新理解的契機。

2026 Melting Point Project - Duo Works

“Before It Begins"

Choreographer | CHEN Po-Chieh

Performer | CHEN Po-Chieh, HSU Ting-Wei

「 The beauty of creation often lies not in the final answer, but in that profound silence and inquiry that precedes birth. 」

Choreographer CHEN Po-chieh confronts the undefined inner space of the early creative process, transforming the stage into a laboratory of thought. Positioned within the cracks of the "unnamed," she unfolds a continuous, unfinished debate with the self. With dance as its core language, video and space traverse the fissures of thought, weaving together first-person self-dialogue and the observer’s gaze.

“In Dialogue "

Choreographer | TUNG I-Fen

Co-development, Performer | CHEN Po-Chieh

*This program is a lecture performance, delivered in Mandarin Chinese. Printed scripts in both Chinese and English will be available at the front desk for audience members who wish to follow along.*

「 A Body Narrative of Memory, Eras, and Reconnection 」

Co-created by guest choreographer Tung I-fen and Chen Po-chieh, Dialogue Relations is an experimental new work that fuses physical narrative with Lecture Performance. Using oral history as a guide, the piece revisits the memories of Chen Po-chieh’s upbringing, gazing at the subtle perceptions of an individual amidst environmental shifts.

More than just a reconstruction of a long-standing friendship after years apart, this work is a poetic assembly that collages personal life archives with the backdrop of the era. Using the body as a medium, Chen Po-chieh translates fragments of daily life and keywords of identity transformation into a concrete, tension-filled theatrical landscape.

In this dialogue—navigating the spaces between reality and imagination, truth and fiction—memory fills the void of lost time, while forgetting becomes the very catalyst for a newfound understanding.

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★ 主要創作者

陳柏潔｜《在命名之前》編舞家

現任雙人創作組合「藝術報國」共同創辦人暨藝術總監，從事創作、表演、教學與策展。

她以「身體」為核心語彙，透過敏閱的感知與深層的身體語言，形塑獨特的舞蹈美學。其「一體化創作」方法，將舞蹈、影像、物件、場域與多元媒材自然交織，發展出跨域且有機流動的藝術結構。她的創作精神源於對身體與本質的探問，並延伸至個人歷史、生命經驗與社會意識國家與反思。作品風格與類型多元，橫跨舞蹈、肢體劇場、歌劇等領域，足跡遍及劇場空間及特定場域。

Po-Chieh CHEN is the Artistic Director of the creative duo Ars Association, working across creation, performance, teaching, and curatorial practice.

Chen’s work centers on the body as her primary artistic vocabulary. Through acute sensory awareness and deeply rooted physical expression, she shapes a distinctive dance aesthetic. Her practice of “integrated creation” weaves together dance, video, objects, spatial environments, and diverse media, forming an organic artistic structure that flows across disciplines and mediums. Her artistic spirit emerges from an inquiry into the body and its essence, extending toward reflections on personal history, lived experience, and social consciousness.

Her creations span a wide range of forms, including dance, physical theatre, and opera, presented across traditional theatres and site-specific performance spaces.

攝影：小氣分分

董怡芬｜《對話關係》編舞家

舞蹈工作者，跨足舞蹈編創、演出、動作設計及策展。其創作實踐根植於人性、社會與自然的交織動能，並擅長於舞蹈、劇場、電影、當代音樂與科技藝術等多元語境中進行跨領域探索。她著迷於「人」在環境中的趨性與動向，透過不設限的創作方法，讓人性於社會中的奇想得以發聲。

近年積極投入表演藝術推廣 Susub 媒合，參與創立「身體聚會所」平台，促進年輕藝術家與跨領域同儕間的交流學習，並多次擔任大型公共藝術節與文化活動之表演策劃統籌。現任臺北市立大學舞蹈學系專任講師及「軟硬倍事」聯合藝術總監。

TUNG I-fen’s work spans choreography, performance, movement direction, and curation. Her artistic practice is deeply rooted in the intersecting dynamics of humanity, society, and nature. She excels in cross-disciplinary exploration, navigating diverse contexts including dance, theatre, film, contemporary music, and tech-art. Driven by a fascination with human tendencies and movements within their environments, she employs unrestricted creative methodologies to give voice to the whims of humanity within social structures.

In recent years, she has been actively dedicated to the promotion and mediation of the performing arts. By Participating in the initiation of the "Dance Park" platform, she fosters interdisciplinary peer learning and exchange among young artists. She also frequently serves as a performance curator and coordinator for major public arts festivals and cultural events. Currently, she is a full-time lecturer in the Department of Dance at the University of Taipei and the Co-Artistic Director of Fist & Cake Production.